Commission of new work, Fake, for piano and computer for Zubin Kanga at Music Current Festival, Project Arts Centre, Dublin, date tba. Commissioned by Zubin Kanga with funding from the Arts Council Commission Award.
Double, a new work for flute and computer, developed in collaboration with Richard Craig for Music Current Festival, Project Arts Centre, Dublin, date tba. Funded by Music Current Festival through the Arts Council Arts Grant scheme.
Performance of Mixed Synthetic Fabrics (for piano and computer) with Xenia Pestova at Nottingham University, 2021, date tba.
Fake, for piano and computer, presented at IRCAM Forum Workshops, Paris, with Zubin Kanga (piano). 'Fake' was commissioned by Zubin Kanga with funding from the Arts Council. IRCAM, Paris, 5 March 2020.
Ground and Background at the Center for Computer Research in Music and Acoustics at Stanford University Transitions concerts series, Friday 4 October 2019.
Ground and Background presented in lecture demonstration at Music and Sound Design for the Screen Conference at NUI Maynooth, Friday 6 September 2019.
Spoils I, Unearths, performed at 146th AES Convention alongside works by Enda Bates, Gráinne Mulvey and others, 22 March 2019.
Speaker at 146th AES Convention panel discussion on 'Spatial Audio for Contemporary Music Performances and Theater', with Enda Bates, Jimmy Eadie, Gráinne Mulvey, Alexis Nealon, and Ji Youn Kang, 22 March 2019.
Guest lecture on electronic and multi-channel composition at Conservatory of Music and Drama, Technological University Dublin, 15 March 2019.
Ground and Background performed in concert at ISSTA 2018 – 'Who's Listening? Sound and Public Space', Derry, 9 November 2018.
Ground and Background selected for Festival Internacional de Video Arte y Música Visual, at Centro de Cultura Digital, Colonia Juárez, Mexico, 3 May 2018.
Ground and Background at Sonorities Festival, Belfast, with surround sound presentation at Sonic Lab, SARC, Queens University Belfast, 18 April 2018.
Mixed Synthetic Fabrics (for piano and live electronics) commissioned by Xenia Pestova through Arts Council Commission Award, premiered at Music Current Festival, Smock Alley Theatre, 14 April 2018.
Perisonic – the immersive, multi-media meditation on Dublin city (for 8 loudspeakers and 4 video screens) – receives a second full performance in Bremen. Commissioned by Dublin Sound Lab, this concert-length installation was the result of a collaboration with composers Fergal Dowling, Scott McLaughlin, Gráinne Mulvey, creative producer Sabina Bonnici and video artist Mihai Cucu. This production is produced by Reihe Elektronischer Musik, Bremen. See Schwankhalle event page and Facebook event page further details. Schwankhalle, Bremen, 14 January 2018.
Unearths, movement I from Spoils (a five-movement, concert-length work for Baroque chamber ensemble, interactive electronics, surround sound and video). Part of 12th Virtual Concert presented by Univers Sonores Parallèles curated by the Gráinne Mulvey, 26 November 2017.
Ground and Background (movement II from Perisonic) presented at Osaka University Electroacoustic Music Festival, sound installation piece in the Art-Gallery, Osaka University of Arts, 17-18 November 2017.
Ground and Background (movement II from Perisonic) presented in concert as part of Sounding Out the Space Conference. St Laurence's Church, Dublin Institute of Technology, Grangegorman Campus, Dublin, 3 November 2017.
'The City as Musical Protagonist: Three Recent Dublin Sound Lab Commissions', a paper presentation at Sounding Out the Space Conference, DIT, concerning the curation of three recent large-scale collaborations with Dublin Sound Lab which attempt to involve Dublin city and its built environment within musical composition and performance. Dublin, 2–4 November 2017.
Premiere of PERISONIC, a large-scale, immersive, panoramic sound 'painting' of Dublin, for 8 loudspeakers and 4 video screens. Commissioned by Dublin Sound Lab, this concert-length installation is the result of a major collaboration with composers Scott McLaughlin, Gráinne Mulvey, creative producer Sabina Bonnici and video artist Mihai Cucu. See Music Current 2017 for programme details. Smock Alley Theatre, Dublin, 29 April 2017.
Stops VIII, an interactive work (for one or two instruments and computer), has normally been performed on piano. In this performance the parts are performed on violin (Larissa O'Grady) and harpsichord (Michael Quinn). Presented here as part of Dublin Sound Lab's Bifurcations concert also featuring works by Scott McLaughlin, Donal Sarsfield, Gráinne Mulvey and Ann Cleare. Smock Alley Theatre, Dublin, 5 December 2016.
As part of the Contemporary Music Centre's Salon series, Dublin Sound Lab revisits three recent works commissioned by the group, which were originally composed for the 18th century organ at the nearby St Werburg's Church. The format of the Salon allows for public engagement during the concert, and the performers and composers will be available to discuss their works. St Audoen's RC, Cornmarket, Dublin, 29 September 2016.
A quadraphonic version of Rise specially re-rendered this concert as part of The Association of Irish Composers, Directions concert series, "listen | compose | perform", curated by Karen Power, at 12 Henrietta St, Dublin, 3 June 2016.
Stops VIII, an interactive work for piano and computer, performed by David Bremner (piano) and Fergal Dowling (computer), as part of The Association of Irish Composers, Directions Series, Gráinne Mulvey, curator. Lutheran Hall, Dublin, 19 May 2016.
Stops VIII, an interactive work for piano and computer, performed by Gary Barnett (piano and computer) at Northern Arizona University, Flagstaff, Arizona, 27 April 2016.
Spoils, a concert-length work by Fergal Dowling for Baroque chamber ensemble, interactive electronics, surround sound and video. Spoils was developed with assistance from Dublin City Council Project Awards and Arts Council Music Bursary, and performed as part of Music Current, a new festival of contemporary music organised by Dublin Sound Lab. Performers: Aoife Ni Dhornain (Baroque violin), Marja Gaynor (Baroque violin), Ilse de Ziah (Baroque cello), Michael Quinn (harpsichord), Fergal Dowling (computer), Mihai Cucu (video). Spoils project page, Smock Alley Theatre, Dublin, 8 April 2016.
Stops VIII, an interactive work for piano and computer, performed by Gary Barnett. Dixie State University, Utah, 18 March 2016.
Stops VIII, a new work for piano and interactive electronics performed by Gary Barnett. Also works by Michael Edwards and Liviu Marinescu. Experimental Acoustic Research Studio (EARS), University of California, Riverside, 11 December 2015.
Ground (for organ and interactive electronics) in concert in Waterford New Music Week. College Chapel, Waterford Institute of Technology, Waterford, 24 March 2015.
Three Reconstructions, a new work for five wind players and multi-channel computer interaction. Part of Dublin Sound Lab's Places and Responses programme at Tiger Dublin Fringe. Temple Bar Gallery & Studios, Dublin, 18 September 2014.
Multichannel presentation of Manchester Material at ISSTC (Irish Sound, Science and Technology Convocation), National University of Ireland, Maynooth, 28 August 2014.
A devised performance/composition at the Royal Musical Association Music Philosophy Study Group workshop on philosophy of human+computer music. University of Sheffield, UK, 4 July 2014.
12-channel version of Rise for outdoors in Berlin for c60collaboratorium.de. on the Urban Solar Audio Plant, a solar powered, WLAN-controlled, multichannel sound installation for public space. Fête de la Musique, Stadtterasse, Aufbauhaus, Berlin, 20 June 2014.
Joint paper/performance with Michael Quinn at Composition in the 21st Century Conference, TCD, on the theme 'Composition as Performance'. Trinity College, Dublin, 7 March 2014.
Performance with Dublin Sound Lab of Kaija Saariaho's 'Maa' for ensemble and surround sound, with a newly devised seven-part video work by Ailbhe Ní Bhriain. Project Art Centre, Temple Bar, Dublin, 9 November 2013, Mermaid Arts Centre, Bray, 14 November 2013.
'Performance as Composition' workshop for musicians and non-musicians using computer-mediated sound performance to devise a musical structure in real-time. CASS, London Metropolitan University, Parker Room, Commercial Road, London, 17 October 2013.
Cloud Type for Auditors presented at Noise in/and/as Music conference at the University of Huddersfield. This special 3D rendering will be projected on the 25-loudspeaker SPIRAL array. Centre for Research in New Music (CeReNeM), University of Huddersfield, 5 October 2013.
Pass, a 2-channel tape piece in the 'Listening Room', part of CMC's Culture Night celebrations, Contemporary Music Centre, Dublin, 20 September 2013.
Dublin Sound Lab perform Stops VI, a new work for trio, computer and surround sound in a multimedia programme in collaboration with Romanian composers and performers. Michael Quinn (harpsichord), Ana Chifu (flute), Maria Chifu (bassoon), Fergal Dowling (computer). Smock Alley Theatre, Dublin, 8 June 2013.
Fractal contemporary music group performance of Stops I by Philip Lawson (guitar) and Anna Murray (computer) in a programme of works for guitar, electronics and video. Cork Film Centre, Cork, 7 March 2013.
Performance of Stops I by Philip Lawson (guitar) and Anna Murray (computer) in a programme of works for guitar, electronics and video presented by Fractal contemporary music group. The Linenhall, Castlebar, Co Mayo, 16 January 2013.
76 Seconds of Pulses (for two loudspeakers) Contemporary Music Centre, Dublin, 12 December 2012.
Ground, a new work for organ, prepared samples and electronics. Performed by Dublin Sound Lab as part of ReSounding Dublin, a project involving multiple organs. ReSounding Dublin, St Werburgh's Church, Dublin, 21 November 2012.
Performance of Stops I by Philip Lawson (guitar) and Anna Murray (computer) in a programme of works for guitar, electronics and video presented by Fractal contemporary music group. Centre for Creative Practices, Dublin, 9 November 2012.
Stops I (for guitar and computer) performed by Philip Lawson (guitar) and Anna Murray (computer), and presented by Fractal contemporary music group as part of a special Culture Night programme. Centre for Creative Practices, Dublin, 21 September 2012.
Cloud Type for Auditors, a multichannel tape piece features in a Culture Night 'happening' at the Contemporary Music Centre, curated by Karen Power and featuring various performers including the Quiet Music Ensemble and Kirkos. Contemporary Music Centre, Dublin, 21 September 2012.
A new version of Sketch for harpsichord and computer, Opera Studio, National Muzic University, Bucharest, InnerSound Festival, Bucharest, 28 August 2012.
Multi-channel, surround sound presentation of Cloud Types for Auditors and Falls by Acousmain in a concert of electroacoustic spatial works by Dublin-based composers. Atelierfrankfurt, Frankfurt, 24 November 2011.
Sketch (for voice, viola, harpsichord and computer) with six-channel surround sound. Programme also includes: Karlheinz Essl, More or Less (computer-controlled soloists), Jean-Claude Risset, Pentacle (harpsichord/electronics), Luca Francesconi, Animus II (viola and electronics). Centre Culturel Irlandais, Paris, 12 April 2011.
Quarters, a Four-channel, dispersed loudspeakers, featured in 'Abstract', a multi-channel loudspeaker concert by Hear This Space, a collective of sound artists and composers who organise site sensitive, spatial sound events. Fabrika, Leicester, 25 March 2011.
Presented during Béal Festival, this setting of Bill Husband's poem, Still, performed by Paul Roe (bass clarinet), Elizabeth Hilliard (soprano), Fergal Dowling (computer). National Concert Hall, Dublin, 3 November 2010
Presented at Música Viva Festival 2010 'Sound Walk'. This version of Pulses for the Electroacoustic walkway 'Sound Walk', an outdoor two-channel, multi-loudspeakers installation along the 100-meter walkway that leads to the main entrance of the Belém Arts Centre concert hall. Several loudspeakers are placed on each side of the walk way. Música Viva Festival 2010, Belém Arts Centre, Lisbon, 16–19 September 2010
Performance in a concert of works for harpsichord and eight loudspeakers. Other works include: J. S. Bach 'Movements from Goldberg Variations', Julio d’Escrivan's reGoldberg, Nick Collins's Suite with Interruptions, Ailís Ní Ríain's 2 Steep 4 Sheep. Michael Quinn (harpsichord), Fergal Dowling (computer). Dublin Sound Lab, St Werburgh's Church, Dublin, 28 November 2009
Performance with Garth Knox (viola) in a programme of contemporary works for viola and electronics, including: Gérard Grisey, Prologue (viola and electronics); Salvatore Sciarrino, Tre Notturni Brillanti (viola solo); Kaija Saariaho, Vent Nocturne (viola and electronics); Garth Knox, Viola Spaces (viola solo); Luca Francesconi, Animus II (viola and electronics). Dublin Sound Lab, St Werburgh's Church, Dublin, 26 November 2009
Manchester Material presented in eight-channel horizontal surround during the International Society for Contemporary Music, World New Music Days, Gothenburg, 24 September – 4 October 2009. ISCM World Music Days, Kronhuset, Gothenburg, 4 October 2009
'Take a look at my sound', as exhibition at Galleri ORO running in conjunction with International Society for Contemporary Music, World New Music Days, Gothenburg. The work of five composers interpreted by visual artists and sculptors. Participating artists and composers are: Jean-Luc Darbellay 'Shadows for Percussions ensemble', Camilla Boström, Hanna Hartman, 'Night Lock', Arvid Wretman, Fergal Dowling, 'Manchester Material' (stereo reduction), Olof Broström, Pui-Shan Cheung, 'Dai Pai Dong', Emma Åkerman Oscar Bianch, 'Crepuscolo', Truls Mörck and Daniel Wendler. Galleri ORO, Gothenburg, 24 September–4 October 2009
Computer-mediated performance with Peter Wiegold's ensemble notes inégales, King's Place, London, 6 September 2009
Manchester Material presented in the Japanese Society of Electronic Music / Musicological Society of Japan Electroacoustic Festival 2009. Presented in eight-channel surround sound in the festival's opening concert also featuring electroacoustic works by Pete Stollery and Françis Dohmont. JSEM/MSJ Japan Electroacoustic Festival 2009, Aichi Art Theatre, Nagoya, 9 April 2009
Presentation at ohrenhoch der geräuschladen in continuous loop through the day. ohrenhoch der Geräuschladen, Berlin, 28 December 2008
Presentation at ohrenhoch der geräuschladen in continuous loop throughout the day.ohrenhoch der Geräuschladen, Berlin, 21 December 2008
Dublin Sound Lab concert of contemporary works for organ, violin, double bass and fixed media/electronics. Also works by Mauricio Kagel, John Cage, Wim de Ruiter, Karlheinz Essl, and Peter Ablinger. Michael Quinn (organ), Fergal Dowling (computer), Marja Tuhkanen (violin), Mercedes Carroll (double bass).Dublin Sound Lab, St Teresa's Church, Dublin, 21 November 2008
This version of Pass for the Electroacoustic walkway is presented in 'Sound Walk', an outdoor two-channel, multi-loudspeaker installation along the one hundred meter walkway that leads to the main entrance of the Belém Arts Centre concert hall. Several loudspeakers are placed on each side of the walk way. Miso Music Portugal, Belém Art Centre, Lisbon, 20–27 September 2008
Manchester Material, originally for surround sound presentation, presented in a two-channel version in the 'listening room' at International Computer Music Conference. ICMC 2008, Sonic Arts research Centre, Belfast, 24–29 August 2008
Sonic Residues Festival, Stony Brook University, New York, 29 April–12 May 2008
Presented in a programme of surround sound electroacoustic works, also featuring works by Peter Batchelor, Chin-Chin Chen and Hans Tutschku. Oscar Peterson Concert Hall, Montréal, 7 February 2008
Grup XXI, Mark Friedhoff (cello), Sala Mompou, SGAE, Barcelona, 31 October 2007
Presentation as tow-channel fixed-media installation as part of Futuresonic 07. Futuresonic07 Victoria Baths, Manchester, 11–13 May 2007
Real-time interactive piece for computer and solo percussionist presented in the closing concert of the EAR-drum Festival at the Project Arts Centre, Dublin by the Electroacoustic Revue Ensemble and Thomas Frisch (percussion). Project Arts Centre, Dublin, 31 March 2007
Concert of new Austrian and German music for electronics and percussion, featuring: Bernhard Gal, Defragmentation/blue (fixed media); Hannes Seidl, Gegenkontrolle (percussion and fixed media) Christoph Ogiermann, I don't need any work, I've GOT enough to do (fixed media); Peter Ablinger, Kleinetrommel (Snare drum and FM-radio); Christoph Ogiermann, The last gets bitten by the dog: NO sound-installation (fixed media); Karlheinz Essl, fLOW (improvised percussion and live computer). Maeve O'Hara (percussion), Fergal Dowling (computer). Project Arts Centre, Dublin, 29 March 2007
Periphonic (3-D) surround sound concert of works specially rendered for four-channel ambisonic loudspeaker array, opening concert in the EAR-drum Festival. Project Arts Centre, Dublin, 27 March 2007
Lioba Petrie (cello), National University of Ireland, Maynooth, 8 March 2007
Presented at EAR-plugged Festival of Electroacoustic Music 2006. The festival featured audiovisual works, fixed media music, live electronic music, mixed works. Lioba Petrie (cello). The LAB, Dublin, 8–9 December 2006
Premiered in the National Concert Hall as part of the NCH Composers' Choice series. Also works by composers of the EAR collective, Michael Maierhof, Ben Dwyer and Trevor Wishart. National Concert Hall, Dublin, 26 November 2006
Short two-channel fixed-media piece presented at Unsafe Festival of improvised and experimental music. The Lighthouse, Poole, Dorset, 11 November 2006
Two concert performances in Galway in one day by Concorde new music ensemble, Adrian Mantu (cello), Concorde, Galway Museum, Galway Arts Centre, 29 July 2006
Premiere of short piece for twelve guitars and two-channel fixed media by the German guitar orchestra Ensemble GuitArt during their tour of Ireland, Ensemble GuitArt, National University of Ireland, Maynooth, 7 June 2006
CD version for Furthernoise, Resonance FM, 27 March 2006
NOVA, RTE Lyric FM, 19 March 2006
Galleri Box, Gothenburg, curated by Swedish Radio, 20–22 December 2005
Sounds Electric '05 Festival of Electroacoustic Music, National University of Ireland, Maynooth, 2 December 2005
Soundworks, University College, Cork, 29 June 2005
Version for 5.1 surround fixed media, Music Research Centre, University of York, 4 February 2005
8-channel fixed media version, Harvest Moon Festival, Oscar Peterson Hall, Montréal, 23 August 2004
Contemporary Music Centre, Meeting House Square, Dublin, 18 July 2004
Concer for voice and computer, Mediators Exhibition, Fordham Gallery, London, 26 June 2004
ArtTrail, University College, Cork, 23 June 2004
Electric Rain, Club One, Cork, 1 May 2004
Projektgruppe Neue Musik Bremen Julie Comparini (soprano), Johanna Spork (soprano), Neues Museum Weser, Bremen, 29 April 2004
Music and Media Technologies, The Printing House, Trinity College, Dublin, 12 March 2004
Sonic Arts Network concert, Wapping Hydraulic Power Station, London, 5 November 2003
Electric Rainbow Coalition, Dartmouth College, New Hampshire, USA, 23 August 2003
Us Live, Natasha Lohan (voice), Fergal Dowling (computer). Guinness Storehouse, Dublin, 8 August 2003
Electroacoustic Revue, David Stalling (voice), Hugh Lane Gallery, Dublin, 9 November 2003
Sonic Arts Network Annual Conference, Sheffield University, England, 1 July 2003
MAXIS Festival of Sound and Experimental Music Leeds University, England, 12 April 2003
Sounds for an Empty Night Club, Corporation Nightclub, Sheffield, 28 March 2003
Chimera Ensemble (Rachel Quinn, soprano; and Catherine Jackson, soprano), University of York, England, 7 March 2003
Multiple-X 2002 Festival, with video by Marcel Gabatto, Institut Goethe, Porto Alegre, Brazil, 27 October 2002
MAXIS Festival of Sound and Experimental Music, Sheffield Hallam University, England, 12 April 2002
Installation for (two microphones, two loudspeakers, minidisk player) presented as culmination of 'Raumzeit' workshop with Christina Kubisch and organised by the 40th Internationale Ferienkurse für Neue Musik. Shenke Halle, Darmstadt, 2000.